Festivals & Celebrations

Insights into events like Samhain or Beltane.

Punkie Night: Somerset’s Lantern Festival and Its Connection to Halloween, Samhain & Púca Night

/ ghostcatcherireland / Leave a comment

Light flickering in the Autumn Dark

When the October sky over Somerset turns a bruised purple and the moon hangs low, the village streets spring to life with a glow that feels both ancient and mischievous. Children clutch glowing carved lanterns, their faces lit by flickering candles, while the air fills with a chant that has echoed through the countryside for generations:

“It’s Punkie Night tonight… Give us a candle, give us a light…”

(Image: Punkie Lanterns. Source: Punkie Night/Facebook)

This eerie procession, known as Punkie Night, is more than a quirky local festival; it is a living link to centuries-old customs that once guided lost souls, kept wandering malevolent spirits at bay, and turned the darkness of early winter into a community celebration. Here we’ll uncover the origins of the “punkie” lantern, trace the folklore from 19th‑century Somerset to the Celtic “Púca Night,” and explore how this regional tradition mirrors the modern Halloween rituals we know today.

What Exactly is Punkie Night?

Punkie Night is a lantern festival peculiar to Somerset, celebrated in villages such as Hinton St George. It takes place on the last Thursday of October every year.

The word “punkie” in Punkie Night originates from a local name for a lantern, with possible connections to “pumpkin,” “punky” (a term for a young child’s ghost), or the Old English word “punk” (timber or tinder).

On Punkie Night, local people carve glowing lanterns from ‘mangelwurzels’, a type of large beetroot grown for cattle feed. Once carved and lit from within by candles, these ‘punkies’ are carried through the street by children and adults alike, often wearing costumes. Traditionally, the punkies are borne through the streets or door to door in a noisy parade, where those carrying them call for treats or candles to light their lanterns, singing:

(Image: Magelwurzels. Source: Punkie Night/Facebook)

“It’s Punkie Night tonight,
It’s Punkie Night tonight,
Give us a candle, give us a light,
If you don’t, you’ll get a fright.

It’s Punkie Night tonight,
It’s Punkie Night tonight,
Adam and Eve wouldn’t believe,
It’s Punkie Night tonight.”

Iona Opie and Peter Opie described this Somerset custom beautifully in The Lore and Language of Schoolchildren (Oxford University Press, 1987):

“To children in south Somerset a punkie is a home-made mangel-wurzel lantern of more artistic manufacture than those commonly made elsewhere for Hallowe’en. Laboriously executed designs, or floral patterns, or even scenes with houses, horses, dogs, or ships, are cut on the surface of the mangels, so that when the flesh has been carefully scooped out—leaving just a quarter of an inch to support the skin—and the stump of a candle has been lighted within, the designs become transparencies, and the lanterns ‘glow in the dark with a warm golden light’. These lanterns (reported from Long Sutton and Hinton St. George) are carried by a loop of string secured through two holes near the top just beneath the lid of the lantern. At Hinton St. George, where Punkie Night is the fourth Thursday in October, some sixty children come out into the street with their lanterns, and parade through the village in rival bands, calling at houses and singing.”

A Tale of Lost Men and Heroic Wives

According to local lore, Punkie Night can be traced back to when a group of Hinton St George men ventured to the nearby Chiselborough Fair in the early 1800s. The men spent their time at the fair drinking and carousing, and when they tried to return home after night fell, they soon lost their way. Although their village was only a few miles away, they became lost in the darkness without lanterns to light their path and were unable to find their way home.

(Image: Punkie Parade. Source: Punkie Night/Facebook)

Their wives back in Hinton St George were distraught with worry and carved makeshift lanterns from mangelwurzels and took to the streets in search of their wayward husbands. Some say that when the men first spotted the light from the women’s lanterns glowing in the darkness, they mistook them for will o’ the wisps, or even restless spirits, and ran away in terror. Once they realised the flickering punkies were held by their heroic wives, they were soon guided home to safety.

Older Roots of Punkie Night and Shared Traditions

Punkie Night was first recorded in the 19th Century but may have much older roots. In Ireland, there is a Celtic celebration called “Púca Night” which has Otherworldly connections. Here, Púca refers to fairies and sprites, which were not necessarily clearly delineated ideas from ghosts and spirits in Irish folklore. Similar to Samhain, Halloween, and Punkie Night, the veil between the world of the living and the dead is believed to thin at this time. Lanterns were said to guide lost souls back to their homes and also ward off the spirits of the dead who would roam the land of the living during this liminal period.

In these traditions, there is also the shared custom of children and adults going door to door ‘souling’ to ask for something. In Púca Night and Halloween, children ask for sweets and candy, and on Punkie Night, a candle for their punkie was requested.

Both Punkie Night and Halloween also feature chanting or singing to request these gifts. In Punkie Night, children sing their traditional Punkie Night song, while modern trick or treaters might chant the popular naughty rhyme:

“Trick or treat,
Smell my feet,
Give me something good to eat!
If you don’t, I don’t care –
I’ll pull down your underwear!”

(Image: Jack-O-Latern. Source: Toby Ord, CC BY-SA 2.5, via Wikimedia Commons)

The carving of faces in punkies also has similarities to the customs of Samhain and modern Halloween. Scary faces were carved into turnip lanterns on Samhain and were placed in windows or carried outside to deter evil spirits. This has been adopted into modern Halloween traditions with carved pumpkin jack-o-lanterns being placed on window sills and on doorsteps.

These celebrations all incorporated themes of darkness, spirits of the dead, and the turning of the year. They belong to the season when the nights draw in, the harvest has ended, and people once believed that the dead and otherworldly spirits walked the earth. In this respect, Punkie Night can be seen as a regional English counterpart to Púca Night, Samhain, and Halloween. It is a survival of the same autumnal fears, folklore, and festivities that people experience at this time of year, but shaped by Somerset’s rhythms and spirit.

Why Punkie Night Endures

Punkie Night endures, weaving together folklore, community, and the timeless human fascination with light in the dark. From the crude lanterns carved by anxious wives in the 1800s to the elaborate mangelwurzel “punkies” paraded by today’s children, the festival captures a uniquely Somerset spirit while reflecting broader autumnal rites such as Samhain, Púca Night, and contemporary trick‑or‑treating. By preserving this tradition, the village of Hinton St George keep alive a story that celebrates resilience, imagination, and the comforting glow of shared history, proving that even as the nights grow longer, the light of community burns ever brighter.

Reference list

Old Man’s Day: Sweeping Up the Past

/ ghostcatcherireland / Leave a comment
(Photo by u041 on Pexels.com)

Celebrate Old Man’s Day in Braughing!

Did you know that today, 2nd October, is “Old Man’s Day”? If you happen to be wandering through the Hertfordshire village of Braughing, you’re in for a treat! This day is a curious celebration filled with history, laughter, and a strong sense of community.

The tale begins with Mathew Wall, a young local farmer who, back in 1571, was mistakenly thought to be dead. Imagine this: a solemn procession making its way down Fleece Lane, with Mathew’s coffin being carried by pallbearers. Suddenly, one of the pallbearers slips on a fallen leaf, and the coffin clatters to the ground. To everyone’s shock, Mathew was very much alive, having been in a deep narcoleptic sleep or perhaps a coma. Imagine the relief and joy as he stood up from his coffin, ready to live another 24 years! He even went on to marry his sweetheart and start a family.

In gratitude for his miraculous second chance at life, Mathew made some unusual requests in his will, which the village still continues to honour today. One of these traditions is the sweeping of Fleece Lane. Local schoolchildren, with brooms and brushes in hand, come together to clear the leaves, giggling and chatting as they work away. They’re rewarded for their efforts with sweets, which makes the task all the more fun!

After the lane is swept, the children gather around Mathew Wall’s grave, where they sing songs and recite prayers. The church bells toll, creating an atmosphere of remembrance and celebration. It’s a heartwarming scene, filled with laughter and joy, as families and friends come together to honour this remarkable story.

Old Man’s Day is more than just a unique tradition; it’s a cherished part of Braughing’s community spirit. Local residents often swap nostalgic stories about their own childhood experiences of the day and how they joined in the festivities. It’s a lovely way to connect with the past and keep Mathew’s memory alive.

So, if you find yourself in Braughing on 2nd October, don’t miss out on the fun! Join in the celebrations and share a laugh with the locals. You’ll leave with a smile and perhaps a few sweets, too!

Sources

Firelight Tales: A Festive Summer Solstice at the Hellfire Caves.

/ ghostcatcherireland / Leave a comment
(Image: Summer Solstice Sunset over West Wycombe. Source: E.Holohan 2025)

As the sun reached its highest point on the longest day of the year, an energy filled the West Wycombe “Hellfire Caves”, beckoning to those eager to celebrate the Summer Solstice in a truly extraordinary manner. This historic site, rich in folklore and mystery, provided the perfect setting for a gathering that paid homage to the changing seasons while exploring fascinating pagan traditions. The Summer Solstice has been of significance for centuries across many cultures, symbolising light, renewal, and the changing of the seasons. On 21st June 2025, I had the opportunity to attend the Summer Solstice celebration at the Hellfire Caves and the Walled Garden Café in West Wycombe. The festivities kicked off at 4 PM and continued until 8 PM, offering a delightful mix of history and community spirit. In this post, we’ll delve into the importance of the Summer Solstice, the intriguing history of the Hellfire Caves, and the lively rituals that unite pagans. I’ll also share my personal reflections on this experience, capturing the essence of the day and the connections made with fellow attendees. So, come along as we embark on a journey through time and tradition, discovering how the Summer Solstice at the Hellfire Caves not only honours the past but also sparked a sense of wonder in everyone who took part.

The Significance of the Summer Solstice

The Summer Solstice is the time of year where the longest day meets the shortest night of the year, and here the ‘longest day’ refers to the day of the year with the most hours of daylight. In England, the summer solstice marks both the start of summer and, surprisingly, also midsummer. It is the time of the year when the sun is at its highest point in the sky, heralding the beginning of the astronomical summer. Meteorological summer, on the other hand, begins in the Northern Hemisphere almost a month earlier, so for many this time of year is also considered midsummer. Whichever way you prefer to view it, this is a special time of year signifying light, renewal and abundance, and since prehistory, it has been a significant time of year in many cultures, marked by festivals, fire and rituals.

(Image: Pagan wheel of the year. Photo by Monstera Production on Pexels.com)

The Oak King and the Holly King are two mythical figures linked to the Summer Solstice and the ever-turning of the seasons, both being personifications of winter and summer.  The two kings are engaged in a perpetual battle of light over darkness, crop renewal and growth. At the time of the Summer Solstice, the Oak King, the lord of the brighter part of the year, is at the height of his power, while the Holly King begins his slow return towards the renewal of winter.  He slowly regains his power at the autumn equinox, and by the time of the midwinter, it is the Holly King’s time to be at the height of his strength. It is at this point the Oak King is reborn to build up his power at the spring equinox, where he once again succeeds as ruler.

Our Journey and Arrival at West Wycombe

With parts of the UK experiencing their first heatwave of the year, my husband Ed, our friend Claire and I drove down from Bristol through the scorching sun. I wore my new Green Man dress, which I felt fitted the event, but immediately regretted not bringing a hat due to the searing heat of about 30°C.

s we arrived at the event, the atmosphere buzzed with excitement and anticipation. The sun shone brightly overhead, casting a warm glow on the vibrant surroundings. The festive spirit of the event was palpable, setting the stage for a truly memorable celebration of the Summer Solstice.  

(Image: Aldbury Morris Men. Source: E.Holohan 2025)

First up after we arrived, we spotted the Morris Dancers, the Aldbury Morris Men, a troupe from the Cotswolds that has been going since 1969. Their dances featured a blend of Cotswold traditions and some Border styles, accompanied by music and singing.  Their rhythmic dances, accompanied by the clacking of staves and the jingling of bells, created an infectious energy that drew in the crowd. Around this time, I was almost pickpocketed by their naughty hobby horse, but my eagle eye spotted him in time before he made off with my purse! After chasing him down for a photo, he ‘mooned’ me! How rude! He claimed that as it was the summer solstice, it was a time for both the sun and the ‘moon’ to come out! 

We watched the Morris Men perform several traditional dances, clacking their staves and jingling their bells as they went. Claire even took the opportunity to join in when they invited people to learn a dance with them. Not being a natural dancer myself, I felt too shy to participate but watched in amusement and interest from the sidelines.

Exploring the Hellfire Caves

After this we headed to the Hellfire Caves to cool off and catch one of Stevyn Colgan’s Solstice lectures on the folklore and traditions surrounding the solstice.

(Image: West Wycombe Caves. Source: E.Holohan 2025)

The West Wycombe “Hellfire” Caves in Buckinghamshire are a fascinating network of man-made caves carved from chalk and flint during the mid-18th century. They are famously linked to the Order of the Friars of St Francis of Wycombe, commonly known as the “Hellfire Club”, an infamous society that was established by Sir Francis Dashwood, who used the caves for their meetings and rituals.

The caves were originally dug out to provide work for local people facing tough agricultural hardship, with the materials taken from the site being used to build a new road. Over time, however, the caves transformed into a base for the Hellfire Club’s activities, which featured mock religious ceremonies and extravagant banquets, adding to the site’s notoriety for secrecy and hedonism.

I’d met Stevyn Colgan briefly at the Wycombe Paranormal Convention in 2024, where I first heard him speak, so I knew we’d be in for a treat with his talk today.

Stevyn Colgan is a British writer, artist, and speaker. He spent three decades as a police officer in London from 1980 to 2010 before moving into the creative field as a researcher and scriptwriter for the BBC series ‘QI’ and its companion show, ‘The Museum of Curiosity’, until 2018. Colgan also co-hosts the podcast ‘We’d Like a Word’, which delves into the world of books and authors. Colgan is a passionate forager and keen student of British folklore, identifying as an author, illustrator, speaker, and folklorist. On social media he describes himself as an “ex-QI elf” and “Cornish pisky” and claims to be “mostly made of hair and tea”.

(Image: Stevyn Colgan and the Hogarth Carving. Source: E.Holohan 2025)

Colgan led us into the caves and started by briefly telling us some of the history and background to the caves and the Hellfire Club. At one point he pointed out a carving by painter William Hogarth said to be of Dashwood in a pope’s hat, as the Hellfire Club enjoyed mocking the Church. Looking at the carving, it is good that Hogarth stuck with the painting instead. Of more modern interest, he described how the caves famously featured in the film “Beetlejuice, Beetlejuice” (2024), whose funeral scene was filmed on the estate.

His discussion on the Summer Solstice delved into its fascinating history, myths, folklore, and traditions. Colgan told us how Milton Keynes, known for its distinctive urban layout, contains Midsummer Boulevard, which aligns perfectly with the sunrise on the summer solstice, making it a key spot for celebrations. Modern druids and witches often gather for the Midsummer festival there, which includes the Light Pyramid sculpture in Campbell Park, also aligned with the solstice sunrise.

(Image: Inside the Hellfire Caves. Source: E.Blackshaw 2025)

The solstice signifies a time of change, dividing the year into four distinct seasons, with equinoxes marking important agricultural periods like lambing and harvest. Midsummer Day, celebrated on the Pagan 22nd, and St John’s Day on the 24th in the Christian calendar are both traditionally marked by bonfires. These fires have a long history of being used for purification rituals, where young people would leap over the flames, and animals would pass through to rid themselves of ticks. The term “bonfire” actually comes from the practice of burning animal bones on these fires.

Celebrations during this time often involve feasting, dancing, and various other rituals. One tradition is to pick a flower and place it in a vase; if it wilts to the left, it is considered bad luck, while wilting to the right brings good fortune. There is also the “dumb cake” ritual, where silence must be maintained while preparing the cake, with the first slice believed to reveal one’s future husband. Additionally, on the eve of the Summer Solstice, it is said that ghostly figures knock on church doors at midnight, representing those who are destined to pass away that year. The dressing of holy wells is another part of the solstice traditions, emphasising the deep connection to nature and the spiritual significance of this time of year.

Food, Music and Flames

Feeling cooler and refreshed from the lower temperatures of the caves, we made our way back to the Walled Garden Café ‘paddock’ to enjoy a bite to eat from the food vans and listen to lively folk music performed by “My Mate Dave”, a female-fronted folk band. We set down our colourful picnic blanket and ate pizza, relaxed and listened to the festive tunes while majestic red kites hovered overhead in search of small prey for their own supper.

(Image: Summer Solstice Celebration. Source: E.Holohan 2025)

It was soon time for the Solstice Bonfire. The bonfire was lit a distance away from revellers for safety, but it still packed a punch; its roaring flames were impressive and primal in this already very hot weather.  Bonfires on the summer solstice have ancient roots, traditionally lit to honour the sun, promote good harvests and protect from evil spirits. These practices are found in various cultures, including Celtic, Slavic, and Germanic traditions, with bonfires symbolising the sun’s strength and its role in the agricultural cycle.

Throughout the day there were other events for families and festivalgoers such as a costume competition, face painting and summer wreath and flower crown making. These activities created a joyful, family-friendly atmosphere that made the event even more memorable.

A Visit to the Dashwood Mausoleum

(Image: Dashwood Mausoleum. Source: E.Blackshaw 2025)

After the event concluded, we took a brief trip up to the Dashwood mausoleum, located on top of the West Wycombe Hill. The mausoleum is a hexagonal structure built of Portland stone and flint and serves as a private burial ground for the Dashwood family, including Sir Francis Dashwood and his relatives. The mausoleum is also known for housing an urn containing the heart of Paul Whitehead, a friend of Sir Francis and steward of the Hellfire Club.

We explored and lingered here a while, witnessing a vibrant rainbow appear in the sky over West Wycombe. After a moment of reflection and quiet contemplation, we finally set off back to Bristol in the soft, dwindling Summer Solstice light.

Embracing the Spirit of the Summer Solstice: Celebrating Connection and Community

(Image: With the hobby horse. Source: C.Lewis 2025)

Looking back on the day, I feel a deep sense of gratitude for the chance to celebrate the Summer Solstice in such a unique setting. From the entertaining performances of the Morris Dancers to the enlightening lecture held in the Hellfire Caves, every moment contributed to a richer appreciation of this ancient tradition. The joy of celebrating as a community was infused throughout the day as families and friends gathered to take part in the festivities, creating lasting memories together. The Summer Solstice serves as a beautiful reminder of the wonders of nature and the importance of connection, both with the earth and with one another. I invite readers to share their own summer solstice experiences or thoughts, as we continue to celebrate the light and warmth that this time of year brings.

If you enjoyed reading about my Summer Solstice experience, I would encourage you to seek out similar events in the future. Participating in community celebrations not only enriches our lives but also fosters a sense of belonging and connection. Please feel free to share this post or leave a comment with your own Summer Solstice stories or reflections. Let’s keep the spirit of the Summer Solstice alive by sharing our experiences and celebrating the light together!

(Image: Rainbow over West Wycombe. Source: E.Holohan 2025)

References

Jack in the Green: Keeping Folk Traditions Alive in Bristol

/ ghostcatcherireland / Leave a comment

A Springtime Wander into Another World

This May, I found myself caught up in something a little bit more magical than normal. I had just popped out for a walk into town when I heard the distant rattle of drums and the jingle of bells coming up the hill. Within moments, a leafy figure emerged around the corner; towering, green, and utterly hypnotic. Behind him came dancers, musicians, people in leafy crowns and cloaks, dogs wearing garlands, children skipping to the beat.

(Image: Bristol Jack in the Green. Source: ©E.Holohan 2025)

This was an encounter with the fascinating character, Jack in the Green. It passed right through my neighbourhood in Bristol, and for a while it felt like the city had been transported into a more ancient, greener version of itself.

There is something about this May festival that pulls at something deeper. In a world full of deadlines and distractions, encountering a celebration like this, which is full of colour, laughter, and ancient spirit, feels like stepping through a portal into another time.

So, what exactly is Jack in the Green? Where did it come from, and why does it still feel so relevant?

What Is Bristol’s Jack in the Green Festival?

Jack in the Green is a celebration of the coming of summer, rooted in old English folk traditions. It centres around a tall, leafy figure known as the Jack, who is completely clad in greenery. Think walking hedge, with just a hint of face peeking out, crowned in flowers and leaves.

Each year, on the first Saturday in May and around the May Day holiday, the Jack makes his way through parts of Bristol in a lively procession of dancers, drummers, musicians, and revellers all dressed in green.

This year, the Jack began at the historic harbourside and the procession made its way through the centre and up via Kingsdown, Cotham and Redland, winding along the streets, picking up curious onlookers as it passed. Jack’s attendants even painted onlookers’ noses green as they passed by, which is said to bring them good luck this summer. I was lucky enough to get myself a green nose too!

Eventually, the parade ended in a local park in Horfield. Here, Jack’s attendants delighted onlookers with dancing and reciting Jack’s poem. Here, sadly, Jack finally died, marking the end of spring and the start of Summer. After dancing through the streets and meeting city folk, Jack brought the Summer to Bristol, but now rests in peace until next year. Finally, onlookers took foliage from Jack’s body for good luck and to celebrate the long-awaited arrival of summer.

This festival is not just something to watch; it’s very much something to join in. People dress up, paint their faces green, bring tambourines or whistles, and dance beside complete strangers. It’s joyful, chaotic, and full of heart. And it belongs to Bristol.

The History of Jack in the Green

Although it feels ancient, Jack in the Green actually has roots in the 18th century. It grew out of May Day traditions among chimney sweeps, milkmaids, and other working-class people in London and elsewhere.

In those days, May Day was one of the rare holidays working people had. Chimney sweeps would parade through the town with music and garlands, collecting money and celebrating the return of warmer days. This served an important function for the sweeps in particular, who would need this money over the summer when they’d have little income. Over time, these garlands evolved into something bigger and bolder: a full figure made of foliage, worn by someone dancing through the crowd.

(Image: The 1795 engraving of a Jack in the Green, London. Source: CC BY-SA 3.0)

By the early 20th century, however, these celebrations had mostly faded. Victorian attitudes were snobbish about anything too rowdy, and folk customs began to disappear in favour of a more sanitised versions of British traditions.

It was not until the 1970s, when there was a broader revival of interest in folk music and traditions, that Jack in the Green began to return. Hastings was one of the first to bring it back in a big way, and other towns and cities, including Bristol, followed their lead.

Here in Bristol, the tradition was revived in the 1990s, thanks to local folk groups and performers who saw value in reclaiming this little piece of seasonal magic. Local groups have helped shape the festival into what it is today; a brilliant blend of history, creativity, and local pride.

Possible Pagan Roots and Green Man Magic

While Jack in the Green as we know it is not thousands of years old, it carries hints of much older beliefs. Many see links to the Green Man, who is a symbol you find carved in stone in churches across Britain and Europe. He is usually depicted as a face surrounded by leaves, often with greenery sprouting from his mouth. The Green Man is a symbol of nature, rebirth, and the never-ending cycle of the seasons.

There is also a strong seasonal connection to Beltane, the old Celtic festival that marks the start of summer. Celebrated around the first of May, Beltane was all about fertility, fire, and celebrating the land waking up after winter. Modern Jack in the Green processions are not direct continuations of those rites, but they certainly share the same spirit of honouring growth, community, and the turning of the year.

(Image: Norwich Cathedral cloisters, roof boss. Source: CC0.1.0 Univeral)

When you see the Jack dancing through the city streets, surrounded by bells and drums, it feels like something ancient stirs. You don’t need to believe in anything mystical to sense it; it’s there in the beat of the drums, the greenery and the joy.

Why We Still Need Jack in the Green

In a time when most of us spend our lives staring at screens, racing from one task to the next, a festival like this offers something rare: connection to place, people and nature. Jack in the Green reminds us of the things we often forget. That the seasons change. That we can share a laugh or a dance with a stranger and feel like we belong.

It brings people together with no barriers; just colour and music, and a shared moment. Children wave at the Jack like he’s a forest giant from a fairytale. Adults clap along and walk around with painted green noses. There’s space for everyone.

Let’s also not forget the symbolism. A figure made entirely of greenery parading through a modern city feels especially meaningful in an age where the natural world is under threat. The Jack becomes more than just a character; he is a reminder of what we stand to lose, and why it’s worth celebrating and protecting.

A Few Thoughts Before the Leaves Fall

As I walked home from my encounter with Jack in the Green with my painted green nose, the sounds of bells and drums fading behind me, I couldn’t help but smile. It wasn’t just about seeing something fun. It was about being part of something. Something old and new, silly and sacred, and wild and gentle all at once.

Bristol’s Jack in the Green is not trying to be trendy. It’s not polished or perfect. But it has a spirit, and in a world that often feels rushed and rootless, that’s exactly what we need more of.

Fancy Joining Next Year?

If you are in or near Bristol come next May, I would wholeheartedly recommend seeking out the Jack. Wear something green. Bring a rattle, a ribbon, or just yourself.

You can find updates from the organisers on: https://www.bristoljack.info/home

These traditions survive when people take part. So, let’s keep them alive because they bring joy, meaning, and magic to our everyday lives.

(Image: Lucky Green Noses. Source: ©E.Holohan 2025)

If you’d like to learn more about Bristol Jack in the Green, please check out the following documentary by Nicola Explores, “Bristol Folklore and Ritual: inside the Jack in the Green May Day Mayhem”

Reference list

Oweynagat Cave and the Irish Origins of Samhain and Halloween

/ ghostcatcherireland / Leave a comment
(Neopagans in Ireland celebrating Samhain. Image Credit: Unknown author, CC BY-SA 4.0, via Wikimedia Commons)

Tucked away in the beautiful scenic landscape of County Roscommon, Ireland, lies a mysterious and legendary cave known as “Oweynagat” (pronounced “Oen-na-gat”), also known as ‘Cave of the Cats’. This ancient cave is believed to be the mythical entrance to the Otherworld, Ireland’s Gate to Hell, a supernatural realm in Irish mythology. Oweynagat is one of the most important places linked to the ancient Celtic festival of “Samhain”, the forerunner to the modern Halloween. Steeped in lore and shrouded in mystery, Oweynagat is a powerful symbol of Ireland’s ancient spiritual heritage and the very origins of Halloween.

The Mythology of Oweynagat

Oweynagat is part of Rathcroghan, a major archaeological complex that served as a royal site for the ancient Irish kingdom of Connacht. This area comprises over 250 archaeological features; it is an area surrounded by many ancient sites, monuments, holy wells and standing stones. Rathcroghan is deeply linked to Queen Medb, a famous warrior queen in Irish mythology, and features heavily in stories of the “Ulster Cycle”, one of the four great story cycles of Irish mythology.

(An ogham stone which forms the lintel of Oweynagat Cave. Image Credit: Cathalpeelo, CC BY-SA 4.0, via Wikimed)

Oweynagat is often described in these tales as the “gateway to the Otherworld.” Irish mythology describes the cave as a place where powerful forces of the supernatural were said to reside. During Samhain, it was believed that the veil between the human world and the Otherworld was at its thinnest, allowing spirits, fairies, and other entities to pass through more easily. The cave itself was seen as a physical gateway through which supernatural beings could enter the mortal realm, making it a focal point for rituals and lore featuring Samhain.

One of the most famous legends associated with Oweynagat in relation to Samhain is known as ‘The Adventures of Nera”. One Samhain night, Ailill and Medb, ancient rulers of Rathcroghan, dared anyone to tie a rope around the foot of a captive hanging on a nearby gallows. They promised a reward to anyone who succeeded. Nera, a brave warrior, accepted this challenge. Decked out in his armour, he approached the captive and managed to tie the rope, only for the captive to come to life, asking Nera for a drink as a last request.

Nera agreed and carried the captive on his back to find water. As they passed three houses, each were marked by strange omens such as a lake of fire surrounding one, the captive finally drank from a slop bucket in one of the homes. In a final act of revenge, he spat his last sip on the faces of the house’s occupants, who died instantly. Returning the captive to his execution site, Nera then witnessed a horrifying vision of his home in flames and his people slain by an otherworldly army. When he followed this mysterious army into the underworld of Oweynagat, he found himself before a faery king.

(Underworld Army. Image Credit: Bing AI)

The faery king ordered Nera to bring wood daily to a house within the faery mound, where Nera met and married a faery woman. She shared many of the secrets of the faery world, warning him that his vision of his people’s demise could come true if he didn’t alert them. When Nera finally returned, only moments had passed in the human world despite his long stay in the faery mound.

Ailill and Medb, taking Nera’s warning seriously, prepared to attack the faery mound the next Samhain. Nera returned to his faery wife, who revealed she was pregnant with his child and encouraged him to escape with his family from the faery realm before the attack. He agreed and watched as the men of Connacht destroyed the faery mound, retrieving the powerful Crown of Briun, one of Ireland’s three great treasures.

Nera, however, remained forever tied to the faery world, never to be seen again in the mortal realm. The tale ends with his fate sealed, waiting in the faery mound until the end of time. The cave has since been claimed to be the birthplace of Halloween due to this story being set at Samhain.

(The Morrigan. Image Credit: Nabilsai, 2024)

Another legend relating to the cave at Oweynagat is that it is the home of the Morrígan, a Celtic war goddess who, according to tradition, emerges from the cave each Samhain to bring chaos to the land.  Ailill and Medb’s cats, who were supposed to roam out of Oweynagat on Samhain, are among the other mythological animals connected to the cave. They represent the chaos and the forces of nature that were thought to be let loose on this night.

Samhain: The Roots of Halloween

Samhain celebrations have a long history that predates written records. Samhain heralded the start of the dark of winter and the conclusion of the harvest season for the Celts. It was thought to be observed between October 31st and November 1st, sunset to sunset. Due to it being a transitional period, there was thought to be little separation between this world and the Otherworld. The veil thinned, enabling communication between living people and supernatural entities.

According to legend, Oweynagat cave is thought to become a portal to the otherworld at this time of year, where faeries and mortals may enter each other’s respective worlds. According to folklorist and professor, Dorothy Bray, “Samhain was a time charged with great supernatural energy and ordinary natural laws were suspended. The idea of the otherworld developed into the idea of the afterlife, so Samhain became a time when the worlds of life and death meet, when the souls of the dead return and can be seen.”  


(Offerings to the spirits of the ancestors. Image Credit: ©E.Holohan 2024)

According to local archaeologist and historian, Daniel
Curley, “Monsters and manifestations would emerge, led by the goddess Morríghan,
to create a world ready for winter, including birds with foul breath that would
strip leaves from trees. Locals would stay indoors in fear of being dragged
into the other world when the ghouls had finished ravaging the land. If you had
to go outside you wore a costume and mask to look hideous. That way you would
be left alone and not dragged into the otherworld.”

Feasting, bonfires, and rituals honouring the ancestors were all part of Samhain. People made food and drink offerings outside their homes to calm any wandering spirits who were thought to be free to roam on this night. People sometimes wore frightening masks or costumes to either ward off or blend in with any supernatural creatures that had passed over into our world, and bonfires were lit to guide the way to lost spirits.

From Samhain to Halloween

Many ancient traditions were adapted and reinterpreted to conform to Christianity as it expanded over Ireland. On November 1st, the Church created All Saints’ Day, which is a day to commemorate saints and martyrs. The night before was called All Hallows’ Eve, which later transformed to “Halloween.”

Samhain rituals gave rise to modern Halloween traditions including trick-or-treating, pumpkin carving, and the wearing of spooky costumes. Wearing costumes to ward off any lost spirits gave rise to the Halloween custom of dressing up as monsters, ghosts, or other terrifying creatures. The modern custom of “trick-or-treating,” in which youngsters knock on doors looking for sweet treats, evolved from the habit of leaving out food offerings.

(Jack-O-Latern. Image Credit: Toby Ord, CC BY-SA 2.5, via Wikimedia Commons)

The jack-o’-lantern, another popular Halloween custom, has Irish origins too. In order to ward off evil spirits, people in Ireland used to carve swedes and place candles inside to make glowing lanterns. This custom was carried to America by Irish immigrants in the 19th century, and it eventually developed into the pumpkin lanterns we are accustomed to today

Oweynagat Cave Today

A trip to Oweynagat Cave provides a window into the past for those who are interested in learning more about the Irish origins of Halloween. Although the cave appears to be damp, murky and unassuming, it is simple to see why ancient humans sensed a power in its presence. Visitors may feel the weight of centuries’ worth of history, rituals and legend hanging in the air when they first enter Oweynagat cave.

Today, Halloween is mainly about entertaining costumes, sweets and light-hearted frights. However, Halloween’s origins lie much deeper; it has to do with ancestors, the cycles of nature, and myths surrounding the invisible realm. Oweynagat Cave is a mysterious reminder of the mythical beginnings of this well-known festival, as well as Ireland’s contributions to a festival now observed world over.

It is easy to imagine the ghosts of Rathcroghan’s ancient lands and possibly the cave’s mythical cats emerging from the depths of Oweynagat cave as Samhain draws near, serving as a powerful reminder that the real spirit of Halloween continues to reverberate throughout Ireland’s ancient landscapes.

Reference list

The Legend of Stingy Jack: The Haunting Legend Behind the Halloween Jack-o’-Lantern

/ ghostcatcherireland / Leave a comment
(Image Source: A traditional Irish turnip Jack-o’-lantern from the early 20th century. Photographed at the Museum of Country Life, Ireland. © Rannṗáirtí Anaiṫnid 2009)

Halloween, a time of ghosts, ghouls, and goblins, is a time when the veil between this world and the next is at its weakest and spirits roam the earth.  One legend looms large in the heart of Halloween itself – the macabre tale of Stingy Jack. This eerie figure from Irish folklore was the origin of the popular Halloween tradition of carving jack-o’-lanterns. Join me as I explore the dark legend of Stingy Jack and his connection to Halloween.

Who was Stingy Jack?

The legend of Stingy Jack originated from the depths of Irish folklore. Stingy Jack was a notorious trickster known for his deceit and cunning. Jack’s reputation for manipulation and shrewdness was so notorious that he even caught the eye of the devil himself.

The Legend and Faustian Bargain

The legend has it that Jack was out one night after having a tipple in his local tavern when he stumbled upon Satan on a country road. The devil demanded his soul, but Jack pleaded to have a last drink of ale with him in the local pub.  After their drinking session, Jack used his cunning to trick the devil into transforming himself into a coin to pay for their drinks. Jack placed the devilish coin in his pocket where he kept a crucifix, thereby stopping the devil from returning to his true form.

(Image Source: PAPÉ, Frank C. “The Devil…Did for His Comfort Give Him a Ring”, illustration from Rabelais’ Gargantua and Pantagruel, 1927. © Halloween HJB 2020)

Jack was very pleased with himself and his wheeze, but eventually freed Satan. However, not one for missing a trick, Jack only agreed to free the devil after he had struck a Faustian bargain. Jack made a deal that the devil should spare his soul for ten years.

Ten years passed and Jack encountered Satan once again while he was stumbling home from the pub. Using his cunning once again, he asked to have a last snack of an apple from a nearby tree. The devil foolishly climbed the apple tree to fetch him an apple. Once up the tree, Jack surrounded its trunk with crucifixes, trapping the devil in its branches. Realising he’d been had, the devil pleaded to be let down, but not before agreeing never to take Jack’s soul. However, this bargain came with a haunting clause, one that would forever alter Jack’s fate.

Jack’s Just Desserts

Eventually, Jack’s drink-fuelled life came to an end and he died. His soul prepared to ascend to Heaven, however as he tried to enter the pearly gates he was stopped by St Peter. Jack, demanding to know why he could not enter Heaven, was taken to see God, who told him that due to his sinful lifestyle, trickery, and deceitful ways, he was not eligible for Heaven.

Jack then descended to the Gates of Hell and begged Satan for admission into the underworld. However, the devil, fulfilling his obligation to Jack, could not take his soul.  Jack was instead condemned to roam the earth in perpetual darkness. The devil, however, felt sorry for Jack and gave him an ember to light his way, which he placed inside a carved turnip to create a makeshift lantern. This eerie lantern forever guides his eternal search for a final resting place as he wanders the world between the planes of good and evil.

(Image Source: Carved Turnips, © opacity 2019)

The Birth of the Jack-o’-Lantern and Stingy Jack’s Influence on Halloween

Over time Stingy Jack’s turnip lantern became synonymous with Celtic Samhain and Halloween. Irish immigrants brought their traditions to America and soon discovered that the local pumpkins, larger and easier to carve, made ideal lanterns. This transformation from turnips to pumpkins gave birth to the iconic ‘Jack-O’-Lantern’ we know today.

As you prepare for Halloween and carve your pumpkin jack-o’-lanterns, remember the eerie folkloric origin of this beloved tradition.  Stingy Jack, with his cunning trickery and Faustian bargain, has left an enduring spark of folklore as his cursed spirit lights our way through the mysterious and magical night of Halloween. So, when you see those flickering jack-o’-lanterns, spare a thought for Stingy Jack forever condemned to wander the earth with only a lantern to light his way.

(Image Source: Jack-O’-Lanterns, ©macwagen – CC BY-NC-ND -2019)

References