My First Podcast Experience: Ghosts & Stories

(Time Between Times. Image Credit: O.Staton and Spotify)

I’m thrilled to share that I recently had the incredible opportunity to join the captivating storyteller Owen Staton on his podcast, The Time Between Times. It was my first podcast interview, and we had a wonderful conversation about my writing, my obsession with the paranormal, and, of course, my all-time favourite Norfolk ghost story; the eerie tale of the Phantom Drummer Boy of Hickling Broad. Owen asked me why I chose this particular tale to be retold by the firepit. It’s more than just a ghost story to me; listen to the episode to find out why this eerie legend resonates so deeply.

Owen Staton is a master storyteller, so I couldn’t have asked for a better host to guide me through this fascinating chat. We covered everything from the origins of my interest in all things spooky and Fortean to my adventures around the UK and the Republic of Ireland in search of haunted places. I even had the chance to discuss my blog, Ghost Catcher Isles, which has been steadily growing in 2024, and my exciting plans for its future. I even shared a personal story about an unforgettable encounter that still gives me chills. You won’t want to miss this!

It was such a fun and thought-provoking conversation, and if you’re into ghost stories, the paranormal, or just love a good tale, this episode is one you won’t want to miss.

You can catch the full interview on Spotify or wherever you prefer to get your podcasts. Come listen, and let me know what you think—maybe we’ll share our own ghostly experiences together next time!


Links

The Whispering Mummies of St Michan’s Church, Dublin

In 2010 I took my mother on a visit to an unusual and macabre attraction in Dublin: the mummies of St Michan’s church. Located near Dublin’s Four Courts, St Michan’s church is Dublin’s oldest parish church north of the River Liffey. Founded in 1095 and named after a Danish Bishop and built on the site of an ancient oak grove, the present church dates from 1685. Until the 16th century monks from Christchurch Cathedral the church congregation and from 1547 it was part of Christchurch Cathedral parish. Restored in 1998, St. Michan’s now belongs to the Protestant Church of Ireland. The church retains many of its original features such as the galleried interior and organ. The organ dates from 1724 and is one of the oldest in Ireland that is still in use. It is claimed that Handel practised for the first performance of ‘Messiah’ on this very organ.

Beneath the church lay the vaults, which are the main attraction to the church. Here many of Dublin’s most influential families from the 17th-19th centuries were interred. The Shears brothers, who were executed by the British following the Rising of 1798 and a copy of the execution warrant is also on display in the crypt, where it instructs the condemned men to be hung, drawn and quartered. Also interred in the vault are the Earl’s of Leitrim who lay in highly decorated coffins. Many of the bodies deposited in the vault are in such an excellent state of preservation that their features are discernible and they bones and skin intact. The conditions for mummification are caused by a combination of the dry atmosphere of the vaults, methane gas emanating from the ground and the limestone walls which are resistant to moisture acting together to dry out the bodies. The most famous mummies in the vault are those of the alleged crusader, the thief and the nun. The crusader, mummy believed to have been a soldier returned from the Crusades, has had his legs broken and crossed, in order for it to fit the coffin. He lies with one of his hands is lifted slightly in the air and legend has it that those who touch his finger will have good fortune. The mummy known as the thief has had his feet cut off and his right forearm is missing, some say as punishment for his crime. Recent scientific and historical research however, has disputed the validity of the stories surrounding the crusader and the thief.

Our visit to the church was on a wet and dismal day in June. After looking around the church our tour guide and 6 other people entered the underground vaults through a metal door and clambered down some very wet steps. There was a passage in front of us and in the dim light, alcove areas could be seen which contained the ornate coffins of the well to do departed. The tour guide explained who the coffins belonged to, what the family names and crests were and then we moved on toward the end of the passage, where we saw the open coffins and the mummified bodies. Towards the end of the tour my mother wandered to the end of the passage where there was a part that had not been excavated. She told me that while she was peering into this area she became aware of voices around her, “a sort of whispering, murmuring noise” and felt it was rather oppressive in the passage. She said she began to sense that there were many people around her, pressing close, which was not the case. She remembers “I did not feel frightened, just aware of this whispering and I could not make out any words, but I felt as if I was in a press of people. There was no wind entering the passage the metal door had been firmly shut behind us and I could not account for the noises.”

It is interesting to note that there have been previous reports of strange whisperings and voices heard within the vaults, as well as reports of being touched by unseen hands. Could it be that the vaults contain the restless spirits of the dead, or is it more likely that visitors to the vaults experience movements and sounds caused by ‘infrasound’? Infrasound refers to extreme bass waves or vibrations with a frequency below the audibility range of the human ear. Although these waves cannot be heard by the human ear, they can be felt and have been shown to produce a range of effects in some people including anxiety, extreme sorrow, and chills. Perhaps this would account for my mother’s feeling of oppressiveness in the passageway, the feeling of being in a press of people and hearing ghostly whispers.

Haunted vaults or not, my mother is undeterred: “I very much enjoyed it. I would not mind going again, but I certainly would not want to be there on my own….”

Visitor Information

Address: Church Street, Dublin, Dublin, Ireland

Public transport: Bus: 134 from Abbey St.

Tours: Mon-Fri 10-12:45, 2-4:45, Sat 10-12:45

Admission Prices:
Adults €4.00
Children €3.00
Students and Seniors €3.50
Family (2 Adults + 2 Children) €12.00

References

2009-2014 Ghost Catcher UK & Ireland© All rights reserved. All my posts are copyright and if you do wish to refer to them or use anything from them on your site, please credit this site.

Charleville Castle Investigation, January 2010

 

Charleville Castle

Charleville Castle is an impressive Gothic revival style castle located near Tullamore, Co. Offally.  The castle is situated in Ireland’s most ancient primordial oak woods, believed once to be the ritual grounds of Ireland’s druids. The land on which Charleville Castle stands was part of the ancient monastic site of Lynally during the 6th century. Later, in the early days of Ireland’s colonization the lands became the focal point for the first Stuart, and later more violent Elizabethan, plantations. The lands, which were originally ruled by the O’Moore clan, were securely planted by the mid-fifteen hundreds and a dynasty was established which lasted into the late nineteenth century.

The castle itself was built by Charles William Bury, Earl of Charleville and was designed by Francis Johnston, one of the most esteemed architects of the day. It took fourteen years to complete this gothic fantasy fortress, whose outside appearance was designed as a celebration of victory over the third French revolutionary expedition to Ireland.

The castle had to be closed temporarily at times due to the owners living far beyond their means. However, upon each re-opening, new features were added in flamboyant celebration such as the ceiling within the dining room designed by William Morris. The castle owner was known as an eccentric character who hosted lavish parties. The castle played host to Lord Byron, who held many parties here, attracted to the castle due to the owner’s eccentricity.

The castle remained uninhabited from 1912 due to the economic hardship of these troubling times and by 1968 the roof had been removed. However, restoration was commenced by Michael McMullen in 1971 and later by Constance Heavey Seaquist and Bonnie Vance, the current owner.

Charleville Castle is said to be haunted and it has been visited by numerous paranormal investigators and psychics. Guests of the castle have reported unusual goings on at the castle as well. Reports have been made of clocks chiming where there are none; chairs rocking with no occupants; a child crying where there is no child; disembodied voices, footsteps heard in the dead of night and glowing fogs floating past. The dungeon is said to be the haunted by the entity of a sadistic torturer and the spirit of a child who slid to her death from the banister of a staircase is said to haunt the stairwell.

Myself and the Bumpz In The Nite team awaited the investigation with great anticipation and opened the investigation out to the public. After setting up equipment, such as a monitoring bay in the library and CCTV cameras in various places of interest, two groups were formed to investigate differing areas of the castle. One team began on the top floor, where the nursery was situated and the other began in the dungeon area. Both groups also contained ‘sensitives’.

staircase

My group first investigated the nursery, staircase and surrounding rooms. We experienced cold spots, but nothing more of interest. Another sensitive in the group did not pick up on anything, however I felt that something was ‘playing hide and seek’. On playing back a digital recording taken of me asking if any spirits were playing hide and seek an audible groan could be heard which was not heard by our group at the time. However, there were many cats loose in the building, so the sound of a cat cannot be discounted, although the EVP did not sound particularly feline. To me it seemed to be confirmation that a playful spirit had in fact been present.

The group in the basement and dungeon area reported unpleasant feelings and the sensitives in the group picked up on an unpleasant male entity which did not want them there.

The ballroom provided much more interesting results. One group experienced noticeable drops in temperature and cold spots. The room itself was not heated and extremely cold, but the drops in

ballroom

temperature were extreme enough for the us to notice them despite this. The cold spots also seemed to move around the chairs we were sitting in. When I and the other sensitive called out we heard a few taps upon request. The other sensitive also picked up on several spirits in the room including a rather insistent female spirit who kept whispering a name and date. I myself felt that the spirits in the room were playful; giving us some signs of their presence initially and then ignoring the group for their own amusement. A later play back of digital recordings taken during the EVP session here yielded some remarkable results. Several times when I was calling out for signs of presence, such as knocks on walls and furniture, I was replied to by an unknown male voice answering in the affirmative.

The group who had previously been in the basement moved on to the staircase and nursery where the sensitives of the group picked up on the spirits of children. An individual who was manning the monitors also had an interesting experience to report as they saw a bright light pass by the door when they could clearly see that the teams were in rooms far away from the library. They also reported a large amount of orb phenomenon in the area of the corridor and stairway leading to the nursery when the groups had been gone from the area a long time.

Next we investigated the dungeon and basement which provided many knocks, bangs and moving of shadows which seemed to follow the us around. The area felt quite unpleasant, but this may have been more to do with its appearance rather than any unpleasant entities. The other sensitive in our group picked up on a man here who may have worked in the kitchen.

dungeon

After each group had investigated all areas of the castle once, they once again separated off to investigate the places they wished most to return to. These were the ballroom and the dungeon. Following this it was decided to hold a séance in the library. This was decided as myself and two others who had been chatting and laughing in there during the break time had heard many taps and knocks, as if the energy of their laughter had drawn some spirits attention.

I led the séance which I found very difficult having only ever joined in a séance once as a spectator before. It felt like a baptism of fire somewhat. I was assisted by the other sensitive. Upon calling out there were several taps felt on the table, between my fingers and that of the person next to me. This alarmed us both, as the vibrations could be felt and yet there was nothing under the table that could have caused them. When asked to move to the other side of the table, the tapping sound complied. Eventually the tapping lessoned and petered out as if the spirits energy or attention had run out.

library

Following the investigation we found several interesting pieces of evidence such as strange voices on EVPs and also a photo which contained an unusual figure. The photo has been sent for further analysis. These pieces of evidence will be put up on the Bumpz In the Nite website in the future (http://www.bumpzinthenite.com/) Myself, the team and members of the public thoroughly enjoyed investigating this location and most who had attended were in agreement that this castle is most probably haunted and worthy of further investigation.